Vernacular Beauty

Nynke Tynagel: Vernacular Beauty. Short text for Maharam Stories by Harmen Liemburg. Image courtesy Nynke Tynagel
Kadans 2.0

Weaving Waves: Kadans 2.0. Short text for Maharam Stories by Harmen Liemburg. Image courtesy Kadans 2.0.
Kite Club

Kite Club: Poetry and Pragmatics. Short text for Maharam Stories by Harmen Liemburg.
Good Vibrations

Ceramic tiles bij Studio GdB. Image courtesy Studio Gdb.
Good Vibrations: The ceramics of Studio GdB. Text for Maharam Stories (2022) by Harmen Liemburg. Text editing Ella Christopherson.
Sensory impressions

Kustaa Saksi, In the fishstrap, 2013. Image courtesy Kustaa Saksi.
Kustaa Saksi: Sensory Impressions. Text for Maharam Stories (2019) by Harmen Liemburg.
Don’t Frighten the Horses

Wouter Klein Velderman. Meyrkoet (left) and Zwarte Ooijevaar (right), 2018. Blow-dried PVC fabric, wood.
Wouter Klein Velderman: Don’t Frighten the Horses. Text by Harmen Liemburg for Maharam Stories (2019).
The Palace of Typographic Masonry

Text Harmen Liemburg for Richard Niessen – The Palace of Typographic Masonry, A guided Tour by Dirk van Weelden.
Ed Fella: The Joy of Making
Sixty years in the profession – of which the first thirty were spent working as a commercial artist in Detroit, and the second as a lecturer and artist in Los Angeles. A huge body of work. And I only have a few paragraphs to explain why every graphic designer should know him: self-described ‘exit level designer’ Ed Fella… But what the hell, let’s give it a try!
WPA National Park Posters

Doug Leen and Brian Maebius. Hawaii detail, 2007.
Text Harmen Liemburg. The sixth in a series of short articles on art and design objects written for Maharam.
Vlisco

Ted van de Ven, La Famille, 1952.
The fifth of a series of short texts on design objects written for Maharam. Text Harmen Liemburg.
