Rams & Bears – Virtual sgraffito
South view of Somalgors74 project space, Tschlin, canton of Graubünden, Switzerland.
Rams & Bears
2019
Virtual sgraffito to be viewed on location through smart phone or tablet
Jan Robert Leegte
Alpine project space Somalgors74 developed an application that allows the experience of virtual sgraffito, aiming to give this visual tradition a new impuls.
Sensory impressions
Kustaa Saksi, In the fishstrap, 2013. Image courtesy Kustaa Saksi.
The seventh in a series of short articles on art and design written for Maharam.
Mosa case-study
Mosa, the manufacturer of the ceramic tiles used for Flyways in the Noord/Zuidlijn, published a Case-study about Flyways.
Read Mosa Notes Issue 2/ Spring 2019 in ‘t Nederlands or English.
Verbeelding Onderweg
First copy presented to city counsillor for Art & Culture Touria Meliani (second right). Photography Odi Busman.
Presentation of publication Verbeelding Onderweg (Imagination in Transit), documenting all art projects in the new Amsterdam subway line.
Verbeelding Onderweg – Kunst in de Noord/Zuidlijn
Smel design agency, Edgar Smaling & Carlo Elias
Edo Dijksterhuis
Gert Jan van Rooij, Jorrit ‘t Hoen
Metro en Tram, gemeente Amsterdam
Don’t Frighten the Horses
Wouter Klein Velderman. Meyrkoet (left) and Zwarte Ooijevaar (right), 2018. Blow-dried PVC fabric, wood.
The sixth in a series of short articles on art and design written for Maharam.
Love Non Stop
Love Non Stop
2019
H 700 x W 500 mm
4 colour screenprint on black 300 grams/m2 paper
40 signed and numbered prints
HL at Kapitaal Utrecht Open Print Studio
Snowy Sheets
Getting off the Intercity train at NS Arnhem ‘Central’ station: thin sheets of fresh snow creating delicate folds on a tilted glass surface.
Profile
Amsterdam studio 2015. Photography Jorrit ‘t Hoen.
Hello, my name is Harmen Liemburg. I’m a graphic designer and screenprinter, mostly working on the autonomous side of the spectrum.
Bio
At Rijnstate 2017. Photograpy Jeroen Glas.
“Harmen Liemburg (1966) originally trained as a cartographer. In search of a way to increase his opportunities for expression in the graphic field, Liemburg eventually enrolled at Amsterdam’s Gerrit Rietveld Academy. He became part of a new generation of designers, one closely connected to the world of visual arts, museums and education. In many ways, Liemburg is an artist in the traditional sense. Obsessed with screen printing, he uses the medium to create a variety of unexpected results.”
Edo Smitshuijzen
cv
Harmen Liemburg
July 1, 1966
Lisse, the Netherlands
EDUCATION
Gerrit Rietveld Academie, Amsterdam,
Graphic Design department, graduation (BA) 1998
University of Utrecht,
Social Geography/Cartography, graduation (MA) 1992